11 Royalty-Free Audio Tracks for "Playback Rate"

Gramophone playback rate fun.

Meant to imitate a heart rate monitor for a steady, calm heartbeat. This track is loopable for your longer heart rate needs.

Sounds of sony cd walkman d-ej360 portable cd player. Lots of takes here from different angles - unprocessed, raw recordeing. Captured with zoom h2.

I drove my car into a wall; and recorded the proximity alert from it. I then washed it through audacity; slowed it 23%; and trimmed the edges. The result? -chilling. A few indistinct gulps cool the atmosphere a little more. It's not the making of a corpse - but it sounds a bit like it?. Recorded late at night in my car by my home with the engine off in fog - so the sound is 'hollowed' by the atmosphere. Recorded using a sennheiser mke300 'shotgun' mic. Cropped in audacity; and saved as aif file. What a chilling way to go. . . ?.

All right, my first contribution and i hope i will be able to help you with some more good sound effects on the way. Here's a sound effect of a cassette tape being rewound in a tape recorder, although i kinda tweaked with the effect. Hope you like it, fellas.

This is a recording i made of a child's toy that had dead batteries in it. The sample playback rate was slowed by the drain of the amplifier. As sounds played back their pitch and sample rate changed depending on the amplitude of the sound. . . Pretty cool effect i figured. . . "man i gotta record that and use it!" so here it is!.

Inspired by erokia's tutorial here:https://www. Youtube. Com/watch?v=sjnjfyvqrfo. I did not use paul's extreme sound stretch, but rather took an original recording of a glockenspiel (with a lot of reverb), and set the playback rate to around 20% its original value. This stretching was combined with use of the following plugins:. Valhalla space modulatorni phasistdr nova geim widertal reverb 4soundspot velo2 limiter.

Here's a vocal sample of "hydrochloric acid" ran through audioterm and sent to a waldorf blofeld as a wavetable. The blofeld pitches up and then scans the wavetable (via mod wheel, so it's fun), which plays out what you hear here, plus a fair bit of outboard verb. Sounds like a vocoder but it's not. As opposed to traditional samplers the pitch is independent of the playback rate / length of the sample.

Bats recorded along the lagan river near belfast in september 2019. This recording was originally made at 192 khz but the registered sample rate has been changed to 16 khz in order to make their ultrasonic calls audible in playback. In this excerpt you can hear social calls (the trills), soprano pipistrelle echolocation (the higher pitched chirps) and common pipistrelle echolocation (the lower pitched chirps). Recorded on a sony pcm d100 using knowles ultrasonic mics. Noise reduction has been applied.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.